until doctors determine whether you’ll need
more surgery, you’re going to crave big hunks
of bread with butter, going to want to rip
sticky meat from ribs, even though you haven’t
eaten gluten or meat in years; you’re going
to want to get taffy stuck between your teeth,
get corn on the cob stuck between your teeth,
your teeth that will feel so empty even though
they’ll be coated, like your tongue,
with a thick sour film. Nurses will give you
swabs that smell of lemon, swabs you’ll suck
greedily only to yield a small burst
of chemical tang; you’ll be given tiny
ice chips to chew—at last something
solid!—but they’ll dissolve too soon. You’ll
remember a friend who told you the best
way to keep an orchid happy is to feed it one
ice cube a week—the ice will melt slowly, mete
out its gifts, keep the soil from getting soggy;
this seemed so clever, you wanted to run out and buy
an orchid even though you’ve never been good
at keeping green things alive. You could handle feeding
a flower one ice cube a week, you told yourself.
You’ll tell yourself you are an orchid now, subsisting
on ice. You’ve seen orchids that look like monkeys; orchids
that look like owls; orchids that look like naked men.
This orchid will look like you waiting for news
in your hospital gown, cold trickling down
to the root.
Gayle Brandeis is the author of the memoir The Art of Misdiagnosis, the poetry collection, The Selfless Bliss of the Body, the craft book, Fruitflesh: Seeds of Inspiration for Women Who Write, and several novels, including The Book of Dead Birds, which won the Bellwether Prize for Fiction of Social Engagement. She teaches at Sierra Nevada College and Antioch University Los Angeles. Find out more at www.gaylebrandeis.com.